I recently indulged in a DVD set I have been eyeing for a while. Tony Giorgio is a legend, and he has the gambling table experience to backup his reputation. In The Ultimate Work, he shares the practical methods for table artifice that a magician can use. While the art and approaches he shares is quite specific to certain card games and circumstances, the techniques are widely applicable to much broader card effects.

I have a common complaint that DVDs are not organized properly, and often lack a sense of progression. This complaint has been voiced in plenty of my opinions before, but this is a uniquely poor packaging of exceptional knowledge. It really just feels like they sat in a studio and worked off of a quick outline and threw in more stuff whenever it was obvious they forgot something. Fortunately, the stuff got included.

The menus are a good place to start. The top menus are named Index, Index Two, Index Three, and so on. Needless to say, these are really helpful in finding something I am looking for. Inside each index, the menus list the content, but a topic is spread across a couple of indexes. They just basically put six topics per index without any thought to the broader organization of what was being taught.

In a similar manner, the presentations are somewhat low on continuity and context. Tony expertly presents his techniques and methods in a clear and easy to follow way, with lots of repetition to make it easy to follow. The material was recorded in modular pieces, so I would think it would be easy to organize the lessons in post production, but some important lessons are in an illogical place toward the end. Additionally, the material is spread across two DVDs, with no insert to list what is where.

Let’s just say that my hopes for expert material were met, but the packaging makes it hard to access. It was a little like trying to get a shiny new electronic gadget out of it’s welded nest of plastic and cardboard. With a little bit more direction, and some table demo’s of the work in action, I think this could have been much better. I was really hoping to see him at “work” in a game, but maybe that will come on a future DVD.

 

Living in the big city

OK, we have been in the city for several months now, so I guess I can finally write about it without sounding too giddy. First off, I may need to explain what a major lifestyle change this is for both of us. I have driven to work for twenty years, he has slaved long hours with everyone else in his office, and I have always gotten all the groceries from a single store.

Now, we live in Ukrainian Village, a neighborhood just West of the Miracle Mile. It has such an exotic name for a reason, just like Greek Town and China Town. I am not sure some of our neighbors can actually speak english, but I do know they are really suprised to learn I speak only English. I guess I look Ukrainian. Who knew?

In the new place, we finally have more modern utilities and a swank kitchen/living room area. Steam heat and window unit air conditioning were charming, but God bless central heat and air. We also have a great balcony off the back, with plenty of room for a gas grill and nice furniture. Plus, the fancy shower and hot tub aren’t too bad either. We are pretty happy.

Now I take the bus to the Blue Line, which goes right to the office. Joel is a stay at home actor. I do work at home three days a week, and Joel is around when he is not in a class, auditioning or rehearsing. It seems that it is my turn to be the stable one. He has always worked long hours in a cubicle and worked endless hours when a deadline was approaching. I have always been the one to set my own hours and be totally flexible. Now, that is his curse.

We take the bus when we can, and I only get the basics at Dominicks. We have a little store nearby for fresh meats and dairy, there is a Russian deli down the street, and all kinds of specialty shops in the nearby environs. There are meat shops, bakeries, cheese and wine shops, and all manner of ethnic supplies. Needless to say, we have almost never eaten the same thing twice. This is especially true since we got the grill.

I think these Southern boys may have adapted just fine to the big city life, but the tale is just starting to be told. Just wait for him to get us into the broadway/musical scene so thick here in the city. Oh, the stories we will tell.

 

St Louis Magic Jubilee 2009

Hanging out with magicians is always an adventure, and conventions are no exception. I attended the Midwest Magic Jubilee this year, mainly because it was accessible by train, and I like visiting St Louis. Joel could not go with me because of a show conflict. Needless to say, i made some friends immediately, and had a great time.

I must admit that some parts of the convention were better than others, but I can confidently say that it was an experience I will likely repeat. If I had to travel by airplane and stay in an expensive hotel for several days, I don’t think it would be worth it. The crowds were fairly manageable, the lectures were great, and the shows had some great magicians scattered throughout. The competitions were what you would expect, and the winners clearly deserved the honor. The dealers in the “magicians french market” were fun and had some good stuff.

I got to meet Eric Jones in the dealer room, and see his incredible coin work. Right next to him was Tony Miller from Channel One fame (or infamy). He and I hit it off, mainly because we have the same sense of humor, which is a dangerous thing. I managed to keep my mouth shut and did not add any fuel, which I would typically do. Several other dealers caught my attention; Mark Mason, the Columbinis, and Andy Greget. Admittedly, there were several others, but I just focus on card stuff. Anyway, I got some good things from Tony and Andy. I have already worked three ideas from Tony’s Parking Space, and have been through Jim Swain’s Miracles With Cards twice. I read a manuscript on Hand Mucking in the hotel room during a break. All of it is fantastic.

Friends were easy to come by as well. I met some cool locals, and there were a few people that came in from Chicago. I am not known for my constant besiegement of card tricks on everyone around me, but I did enjoy watching some cool and funny stunts by people around me, and feeling a little twinge of discomfort when a magical pirate showed up in the bar to the horror of the bartenders and a hapless but hot waitress. That was entertainment enough. Fortunately, lectures from Regal, Mendoza, Columbini, and many others tore me out of the bar fcequently enough that I did not blow my book budget on booze.

Anyway, it was fun, educational, and I will be back.

 

Here we go again

It hardly seems like three years since we moved here, but it has been. We got more snow today, and we are going tomorrow to find a new apartment somewhere in Bucktown. We have some time yet, but we are making the best of the time we have, which is a nice departure from the last move. We are coordinating storage, location and negotiation tactics much more tightly than last time. Things are about to find their way to boxes, stuff will be going to storage, and the dross will be tossed. We have accumulated many new large pieces of furniture, so we will have some new challenges we didn’t have to manage last time. No matter what, we are ready for our new adventure close to our friends and the pulse of Chicago.

 

As everyone knows, Allan Ackerman has the technical ability to make a deck of cards perform symphonic masterpieces of magic without breaking a sweat. His recent DVD work on Erdnase has been well received and has met accolades from tough customers. While he has a considerable video legacy, his book offerings are somewhat more modest. I think he realized early on how important seeing the performances can be. I also have Las Vegas Kardma, and I was impressed with the variety and scope of skills demonstrated in that compilation.

I recently picked up this little book gem and flipped through it when it arrived. It wasn’t until I started really reading it that I started to realize how well the material is presented. The ideas are sound, the techniques are achievable with practice, and the effects are direct. He has sessioned and developed ideas with all the best, so a good number of his effects are alternate handlings and original approaches to ideas from the likes of Dingle, Marlo, Jennings and others card masters. His original ideas and utilities are well constructed and accomplish their ends cleanly and smoothly.

As always, I want to keep a variety of material at my fingertips. Simple or mystical, standing or tabled, presentational or visual, skillful or suble. I like this book because it has a sampling of them all.